I guess it took winning an Oscar back in March to finally bring this movie to St. Louis in June! But it was worth the wait for sure.
The film begins with former federal justice agent Benjamín Espósito paying a visit to his former colleague Irene Menéndez-Hastings. Espósito has spent most of his life tortured by the events surrounding a brutal rape-murder case he covered with Menéndez and Espósito’s assistant Pablo Sandoval in the mid-70s. Espósito wants to clear the ghosts of his past by writing a novel about the case, and he needs Menéndez to give him the case file for his research.
At that point, the film dives back into the 1970s and most of the narrative takes place in a flashback, as we’re shown the events that lead up to Espósito taking the case, as well as his frustrated attempts to find justice for the husband of the murdered victim. Layered on top of this is an intense attraction between Espósito and Menéndez that has more than one obstacle in its way, some serious drinking problems on the part of Espósito’s assistant Sandoval (my favorite character in the film!), and the political climate of Argentina during the 1970s version of Peronism.
While he hasn’t made a perfect film, Campanella, who has worked on American TV shows such as Law & Order, has certainly given us a crime drama that kicks the butt of almost every US-made movie that came out last year. And there is some great cinematography—such as the following use of fútbol in the film.